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fabrizzzio48 (November 30, 1999 at 12:00 am)
9. Tracy Dahl
fabrizzzio48 (November 30, 1999 at 12:00 am)
6. Sutherland, only nice singing, ending note a bit weak.
8. Sumi Jo, too much, uncontrolled, bad last note.
9. Too nervous and uncontrolled.
10. Dessay was technically in control, flowing, but a bit weak overrall.
fabrizzzio48 (November 30, 1999 at 12:00 am)
7. Without a doubt, the performer , in my impression, who most balances technical facility, fluidity, power and interpretation is Mady Mesple.
1. Tetrazzini, beautiful, minimally uneven.
2. Amelita Galli-Curci, a bit hurried, weak ending note.
3. Lily Pons, record speed too fast? Little characterization.
4. Mado Robin, too agressive, uneven final note.
5. Callas, strong in interpretation, awkward covering, last note tight.
NEBESHIKU (November 30, 1999 at 12:00 am)
Callas is the best! She is the only one that gives dramatic depth to an other wise hollow role.
Soren001 (November 30, 1999 at 12:00 am)
Dessay, Robin and Sumi Jo, in that order
fandelocp (November 30, 1999 at 12:00 am)
Nathalie desssay is the best!!!!! I love her she is amasing!!!!! and callas and sutherland are amasing to!!!!!!! but the bst is dessay!!!!!!!
guiradobrasil (November 30, 1999 at 12:00 am)
LOVED IT! Thank you very much for posting. I had a constant smile on my face while listening to it. I won't give a ranking, but my favorites here are Sutherland and Mesple
ahmad123987 (November 30, 1999 at 12:00 am)
do u know Mado Robin range, I don't think anyone has ever prodused a bigger note then hers (in The Mad Scene). If u have heard a better note then her D4 above high-C that she hit live please show me
ahmad123987 (November 30, 1999 at 12:00 am)
Joan Sutherland Mado Robin!
magheramoll (November 30, 1999 at 12:00 am)
Thanks! I'll have a look for this one. |
